With its latest not-quite-clone, Latvian synth specialist Erica has delivered a future all-analogue classic inspired by a classic of old. And because we produce 1.4 million drivers each year for the home hi-fi, custom-install, in-car and pro-studio markets, we can ensure extreme consistency. It’s a sizable speaker too, although whereas the 59s were too big for my reasonably-sized room, the 7s definitely suit it more. Positioning is critical when installing a monitor system. De Core 7 van Dynaudio is een high-end twee-weg actieve monitor met digitale ingangen in AES3 formaat (AES/EBU), die gebruikt kan worden met 24 bit en 192 kHz.Elke driver heeft zijn eigen speciale Pascal Class-D versterker - 500W voor de 7" woofer en 150W voor de 1" tweeter - terwijl een ingebouwde DSP-processor verschillende functies biedt voor positionering, geluidsbalans en basuitbreiding. With the release of its 360 Reality Audio Creative Suite and two compatible speakers, it seems Sony’s pushing for advanced audio consumption. If you’re in need of a simple electric keyboard plug-in, check out the brand’s latest freebie, Sites was a website-building tool that integrated directly with Reverb storefronts. Make no mistake, though: under the hood is a sophisticated system that makes light work of challenging studio environments. Das kompromisslose Zwei-Wege-Design umfasst zwei Class-D-Verstärker (einen 500-Watt-Verstärker für den Mittel-/Tieftöner und eine 150-Watt-Einheit für den Hochtöner) … The active Dynaudio AIR series was famous for its advanced digital signal processing. Perhaps not, though, bedroom studios. The tweeter appears to be the same, though, using the same Hexis system – a separate membrane behind the main tweeter to cut down airflow and reduce resonances – and is designed to help deliver what Dynaudio claim is “jaw-dropping imaging and transient detail, and effortless high-frequency response”. DYNAUDIO PROFESSIONAL CORE 7 (UNIT) - Vertrouwen is op dit gebied essentieel. After a few more tweaks, I am easily able to get a completely controlled and even response from the 7s – the message again is to take your time here – and I’m soon hearing parts of my well-knows tracks that I expect to with more expensive monitors: those sheens and shimmers, the reverb tails, guitar picks and more defined basses that often go missing-in-action on cheaper monitors. I’d say they are good for larger compact set-ups and medium-sized studios. “Delightful”, he said. The changes are subtle, but often this little tweak is enough to make the sound balance just right. Algemeen. 59 is a super-loud and accurate monitor and it sounds, quite simply, incredible. I’d say they are good for larger compact set-ups and medium-sized studios. Dynaudio is also promoting these as an option for immersive live installations, providing M10 rigging points on all faces except the front and rear. We’ve provided a range of 0dBu to +24dBu to match the analogue input sensitivity to the output level. This is, of course, down to the mid/woofer, a Magnesium Silicate Polymer driver which Dynaudio has designed with, it says, “advanced magnet designs to produce drivers capable of the kind of accuracy and honesty you’d never thought possible”. Algemeen De stap naar een professionele studiomonitor als de Dynaudio Core 7 betaalt zich vanzelf terug. I wouldn’t consider that the 7s even need any additional subwoofer as with the maximum Bass Extension engaged, they seem to handle – and more importantly control – the bass at all volume levels. I spent years mixing on the old passive BM5’s, something I remember with affection and its good to see the physical resemblance remains. Nothing more, nothing less. We show you what's possible in Logic. Build patches inspired by classic 80s synths tracks with this free Oberheim OB-X emulation. Stop second-guessing. As stated above, the mid-range definition is as slick and joined up as the 59s. Get under the hood of a house classic with this course, Rhythmic energy abounds in the latest from Jungle Drummer. Under the hood: how to set up Core 7 for your studio. Core 7 uses the same concept as the LYD series Sound Balance filter – a different design to typical shelving-EQ tweeter and woofer adjustments found on most active monitors. I have a standard set of well-known, very well-produced tracks that I use for listening tests, some heavier tracks from the likes of Leftfield, plus some of my own compositions that I like to think I know intimately – mistakes and all. The company even claims you can use them with the bass driver on top of the tweeter, or outside of it, which goes against some conventional thinking. That makes it possible to use Core monitors in multiple studios and have them all sound and perform at the same high level – giving you everything you need to hear, everywhere you use them. But this one, in particular, made our jaw drop this year. Cut out the tedious process of loading the same plug-ins and effects to every project. Instead of simply fine-tuning the tweeter level up or down, which will affect phase response, Core 7 uses a full-spectrum band-pass filter that tilts depending on the desired tonal response. We’ve made sure Core 7’s cabinet is as stiff and inert as we could make it – hence the 32mm thick baffle, which contributes to its excellent linearity across the spectrum. This kind of proximity can lead to reflections, especially in the bass frequencies, so you simply select Wall if you place the 7s closer than 50cm to the wall, or Free otherwise. ● Amplifiers: Pascal Class-D delivering 150W for the tweeter, 500W for the woofer It is the most compact model in Dynaudio's range of high-end professional reference monitor systems. Other than that, the 7s do share some of the 59’s other attributes, including the amps, s… This will help compensate for the first reflection created by the mixing surface. Core reproduces what was recorded. Feeling highly strung about your current project? (Reducing the Bass Extension setting is too dramatic as it turns out.). Der Dynaudio Core 7 gibt genau das wieder, was aufgenommen wurde. If you want the maximum level, set this to 112dB. Whether you’re recording prog metal or a symphony, scoring a feature film or game soundtrack, or mixing a TV show or Dolby ATMOS project, you need to trust what your studio monitors are telling you. That’s not to say that 7 is in any way what you might call compact. En niets anders dan. This website uses cookies to ensure you get the best experience. That’s not to say that 7 is in any way what you might call compact. Here we decide who came out on top... A vocal recording is rarely perfect on the first take. And I’m not arguing as they seem to reach across the mids and low end with ease. ● Frequency response: 38Hz – 31kHz As much as I’d love to recommend them for that, their physical size and volume capabilities will be overdoing it for most hobbyist set-ups. Adjusting these will obviously depend a lot on your room, surroundings and speaker position, and it’s key to experiment, as I did with mixes I know well. We explore how legendary artists incorporated strings into their work, and show you how similar results can be achieved with Orchestral Tools' LA Sessions. And because its size doesn’t diminish its performance either in frequency response or output SPL, it plays seamlessly with Core 59 monitors in calibrated multi-channel monitoring systems. It’s a sizable speaker too, although whereas the 59s were too big for my reasonably-sized room, the 7s definitely suit it more. Core 7 is the 2-way and entry-level speaker in Dynaudio’s top-end monitor range. As with the Core 59s, I’ve chosen a cheaper Dynaudio alternative for the same kind of aesthetic and sound quality. Core 7 is designed for maximum flexibility and performance where its compact size is desirable. On the other hand, if you put the monitors into a purpose-built wall, setting the Position 1 filter to ‘Soffit’ will compensate for the increased bass response. We’re known for our soft-dome tweeters. It still weighs in at close to 15kg, although that is a good 10kg less than the 59. Hexis optimises airflow, smooths frequency response and eliminates unwanted internal resonances. 220 x 370 x 390 mm (8 11/16 x 14 5/8 x 15 3/8in). And you know the truth when you hear it. There’s a switch to determine the maximum output SPL with the greatest bit-depth in the DSP. The imaging is spot-on, there’s a super wide sweet spot, and they’re really consistent off-axis. De Dynaudio Core 7 Studio Reference Monitor is gebouwd om u de enige referentie te geven die u nodig heeft bij het opnemen en mixen van audioprojecten. For everyone else, however, once tailored to your room, these 7s truly are magnificent monitors. Once optimised, Core 7 processes all analogue signals at a 192kHz sampling rate and 64-bit resolution in the DSP (from the 24-bit analogue-to-digital converter) for the greatest degree of mathematical precision. Dynaudio Core 7 actieve studiomonitor Artikelnr: 9000-0049-4796 Garantietermijn: Op dit product krijg je 3 jaar garantie. Other than that, the 7s do share some of the 59’s other attributes, including the amps, so you get a fulsome 500 watts for the woofer and 150 watts for the tweeter, although the bass speaker is seven inches in diameter so two inches smaller than that on the 59. ● Maximum SPL: 112dB @ 1m © 2021 MusicTech is a member of the media division of BandLab Technologies. The LYD 8s are excellent for medium rooms, and currently weigh in at around a third of the price. The Core 7 is a 2 way front ported design, with an exposed soft dome tweeter and the distinctive crennelated dust cap in the woofer, visually is is very typically Dynaudio. Core reproduces what was recorded. Our acoustic engineers continued this forward-thinking approach by taking the past 18 years’ worth of DSP innovation and applying it in a simple, easy to use system with the Core series. MSP provides the best combination of lightness, stiffness and damping – making it capable of producing deep, accurate bass while also delivering natural midrange detail, all in one driver for the best imaging and point-source delivery. These are core to the Core philosophy, as Dynaudio has designed all the speakers in the range to be placed pretty much anywhere: within the walls of a properly acoustically-designed room, where you would pick the Soffit setting; on decent stands with good dampening (choose the Anechoic setting); on a desk (yes, it’s the Desk option); and three room settings which are Corner, Wall and Free. Boundary effects created by placing a monitor close to walls or a ceiling can be compensated for by adjusting the Position 2 filter between ‘Wall’ or ‘Corner’. You can only make these detailed edits if you can hear the anomalies and frequency colourations in the first place. While the 59s are most definitely for large rooms – with a simply huge sweet spot – the 7s are more suited to medium rooms. Active 2-way studio near-field monitor 7" Woofers, 1" Tweeter, Amplifier: Class-D 500 watt woofer and 150 watt tweeter, Frequency range: 44 Hz to 21 kHz ± 3 dB, 38 Hz to 24 kHz ± 6 dB, Max. Our acoustic engineers continued this forward-thinking approach by taking the past 18 years' worth of DSP innovation and applying it in a simple, easy to use system with the Core … As with the 59s in the last issue, the Core 7s offer both this accuracy plus an enormous flexibility in where they are placed and how you use them. ● 2-way front-loaded bass reflex speakers for medium to large studios Perhaps naively I’m expecting a lack of mid-range action from the 7s because they are 2-way compared to my 3-way references, but they’re having none of it. Dynaudio developed the Core 7 … We’ve even developed special pads that can be placed in order to protect the cabinet's finish and stabilise the cabinet on the surface. ● Inputs: analogue and AES3 digital This includes recording studios, edit suites, broadcast trucks, mobile facilities, broadcast and theatrical dub stages, immersive audio mixing rooms and custom installations. Active 2-way studio near-field monitor 7" Woofers, 1" Tweeter, Amplifier: Class-D 500 watt woofer and 150 watt tweeter, Frequency range: 44 Hz to 21 kHz ± 3 dB, 38 Hz to 24 kHz ± 6 dB, Max. The Core 7’s feel great to listen to and mix on. The active Dynaudio AIR series was famous for its advanced digital signal processing. There is, therefore, a lot of positional flexibility here as Dynaudio want these speakers to be used in every area of monitoring, from studios to surround sound film-scoring and editing. This time around, then, we’re looking at the smaller and cheaper option in the Core range. These are the hallmarks of a Dynaudio professional monitor, and the Core series takes them to a new level. We’ve taken our proprietary MSP (Magnesium Silicate Polymer) cone material along with aluminium voice coils, glass-fibre formers and advanced magnet designs to produce drivers capable of the kind of accuracy and honesty you’d never thought possible.